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Truffles Stealth Action

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A little time ago I started thinking about a stealth game where enemies would track you by sense of smell. This turned into a silly prototype where actually the enemies just have a larger collision radius and move in fixed paths, so it's not even really a "stealth" game. You control the last truffle on earth (trust me, I looked at several pictures of truffles to try to get it right, if it looks like something else that's my lack of skill...) trying to avoid the pigs that can detect you if you get too close. Anyway, it was already on ice so, why not add it to this event... I just added some screens (title, game over) and another "level".

Event Created For: 
Made For: 
An event

loutra

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in contrast to my last post, i write this, and ive written it a number of times and closed the tab, losing my progress.
in contrast to the utter artistic pessimism in the last post.
i went on an art residency in 2019, to the island of nisyros, a round island with a volcano and just about two small towns. 11 days, we had two masters students who spoke fluent greek, 3 undergraduates, and me- i'd just graduated in july. my grandmother had just died, and everything was clearing up, and this trip was my first dip into post graduate life. before the burden of the arts space, and finding work, i had this. my gran would have been proud of me, for certain, a free holiday...
we arrive in rhodes, stay a night, have breakfast in a terrace courtyard- with a whole lime tree making up the ceiling, a red canary, eggs and ham. we get a ferry to nisyros. its a big boat, ice cold inside. we turn up on the marina at night and a guy on a moped attends to us. he was a bit of a slimeball, ominous guy, i didnt trust him at first and he didnt trust me.
we got a car ride to the bath house, where we were staying. the driver mentions his one available reference, manchester united- it struck me pretty hard, because i noticed how out-of-touch i was with reality. whenever football is mentioned, its like im back in school, and that ball hits me square in the head again, i realise i dont have a clue about it and that makes me out of touch.
we have 11 days to do whatever. id brought a crumb of hashish in a pair of shorts, so i was savouring it. listening to the leaked Kanye West Yandhi album. every now and then, i would catch recommendations through the radio, or through my new friends. Trash Island by drain gang was released at this time too.

the first night, i think, was our first exhibition opening in the basement gallery space. i was in greece- so i didnt make it, but my girlfriend at the time was there. come to think of it, she didnt talk much about it, but she probably couldnt get a chance between me gushing about the trip. to be fair to me, it felt incredible.
there was a small restaurant / taverna attached to the bath house. i spent the first day combing the beach and swimming in the ocean, i hadnt done for many years. cutting into those waves was damn scary, envigorating, always though they would push me back to the rocks.
days after, we meet with the mayor in his office. all their PCs are running Windows Vista. he agrees to let us have an exhibition at the archaeological museum, we'd visited days prior looking to hold an event there. we had basically turned up and demanded a venue, but this didnt matter to me, i couldnt feel self conscious, i didnt know the language. and everyone was kind, the mayor, the curator at the museum.
they were already busy, we couldnt have the interior space, so they let us install in the courtyard.
the mayor also invited us to a celebration event at a monastery at the top of the mountain. they cooked goat, i think, or a cow, and rice.
we cooked in a small outbuilding on a raised area behind the bath house buildings. the first few nights, having coffee, ham, we would walk into mandraki to buy pastries in the morning. all made by sweet, stoic grandmas.
there was a group of these grandmas at the celebration, headstrong, strategising on how to serve the guests. it struck me heavily because it reminded me of my gran, as that was the person she was too, just on the other side of the equator. i cried about it silently for nearly two hours, luckily it was dark, but my friends noticed when the lights were around. i told them i was mourning.

i would get an iced frappe from the taverna in the morning, smoke, listen to the owner groan along to Chelsea Wolfe. i would swim when i wanted.
my artwork was rudimentary. found object sculptures, glowing pigment, photographs, lots of photographs. i have a habit of finding ephemeral items and holding them up like relics, and then i inadvertently destroy them somehow along the way. i would trace images straight off my laptop screen in ink pen, or pencil, on japanese rice paper, mounted on aged archival paper. i'd found it in my grans shed when we were clearing out her home. it was a dark yellow from being in storage for so long. as soon as i got there i was determined to remember everything. it was like stepping into a fantasy! a dream. a bath house, i sat in the water, heated by geothermal energy, i floated in it. marble bath tubs.
we would eat at the taverna in the evening. play cards. one day, we took turns reading characters dialogue from macbeth. i was him, watching all my friends fight and die around me, before dying myself. poison! duels! how cruel.
the later half of the week was filled by hosting the exhibition. there wasnt much of a lazy-morning feeling when we had to go into town for breakfast. better to be in town before 12pm, because even in october, making that journey in full view of the sun was debilitating.
the exhibition went successfully. children arrived and stayed for as long as they were allowed. some spoke excellent english. i gave them all my glowing items, bones, stones, sticks. they loved them- all bright pink. tourists visited, but they mostly wanted to talk about themselves. locals visited, but they seemed to struggle finding things to say. even the mayors bodyguard, the guy who met us on the marina the first night, arrived to share his opinion.
some work on display was undoubtedly well made, beautiful. mine was not exactly so. and as a result the henchman stayed on mine a bit longer than others, looking at it intently. maybe he was picking it apart. weighing up what was good and what wasnt, just like i do when i look at artwork. he had seen other shows before, hes searching, on some kind of path. id seen a cross and some rosary beads wrapped on the handle of his moped , scuffed plastic, and some fancy metal-alloy brake locks. this is a swell for me, where the story swells, paths, journey, riding, spiritually, half-trapped and half protected by masculinity, one day i can put all that into proper words.

i dont see anything wrong with presenting half-good artwork... as long as it helps you appreciate what youre looking at more. its all in pieces, dont condescend an audience, let them see their bigger picture, let them interpret, thats a good thing.

the last few days were spent invigilating the exhibition, sat in the hot sun. we rented a car, and went to a beach far away from the towns. it was just us there. coarse sand, i could see every grain. they stuck to me like armor. i found a fragment of obsidian on the ground, wish fulfilled. i could see the clouds of the milky way when i looked up at the stars at night. but the steam was spent, all hot air, we were revolving again, down the barrel back to somewhere else. a new life, back at home, NEET now, but thats a boring story for another time.

this is when i decided to make games. it has been a twisted path, definitely weird, ive had to turn away from things that werent right. but its all good now, i think. we shall see.
i re-built the bath house and marina, its in a Unity project. it has a unique visual style, nothing like reality, but i love it still. i still work on it, the trip was in 2019, so its been nearly 2 years now. its no game, its just a place. dont know how to package it, ship it, gamify it, i dont want to. ill just keep working on it and it should fall into place.
ive spent a few solid months work on the Loutra virtual space. ive been learning unity at the same time, unreal engine, releasing other things, learning 3D. it will come out one day, and it will be a big picture. i promise

apologies for present / past tense mixing

namegirl's picture

frog game

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Game File (Linux): 

highly accurate simulation of what its like to be a frog

music by me
https://soundcloud.com/naemgurl
https://notnow000.bandcamp.com/

<3

(linux version might not work, pls let me know)
(mac ver coming eventually)

also i guess my game crashed the site(?)

Made For: 
An event

Run for your Life (KnP game)

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evade the arrows as long as you can

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update i guess

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hiya,

apologies for shilling commercial stuff here but i figured this would be appropriate epilogue to marker games: i finally got around to compiling them and putting together a commerce pack (PC only at the moment, but i plan to buy the html5 exporter with monies from this version). it's at my website here http://harmonyzone.org/50SHORTGAMES.html .
The idea of MONETIZE THE PIRATE KART is kind of a dubious achievement but oh well. i really liked making all the games n hope to go back to releasing semi regular things here at some point n hope maybe the idea of weird commercial compilation loaders for trainwreck games catches on. i love multicarts and scrappy stuff so anything that encourages it seems ok to me.

hope ya have a good year in 2014,
stephen XOXOXO

everythingstaken's picture

Twin Snakes 2

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Game File (Mac): 
Game File: 

multiplayer game for two player
simultaneous control, have fun

Event Created For: 
Made For: 
An event

First entry? Recapping what's happened so far.

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Let's catch you, mystery reader, up to date on the project. The working title is "Headache," which is shitty, so, I gotta work on something better. But, let's talk about my story/game.

Development started March 3rd. Maybe March 2nd, not sure. Let's talk about how I got there.

But first, I'll summarize a bit, and just say what the game is and where it is. It's extremely visual, and includes a lot of very stylized images. Quite a bit of it has < < timed > > text meant to evoke a feeling or be reminiscent of a feeling (early on example: putting your ear to the door and holding your breath, music cuts out, when "You can hear nothing but your heartbeat," a heartbeat plays (might cut the heartbeat and make it part of the music that plays instead cutting in not sure)).

It's a mystery-solving type deal. There are a TON of things you can investigate if you so choose, and can end up playing this for a WHILE, or finishing it in probably 30 minutes for a "true ending," although really considering it, maybe a bit longer. Before you get there though there are a few other special endings you can end up getting instead, and you can at almost any point in the game decide to "give up and move on" and just end there. You have as much freedom as possible.

It is ultra stylized. The game so far has the first "area" where you can make decisions almost done; rather, I have a bunch of assets to make, now that I've decided to take it in a certain direction, but besides that, some music being changed potentially, and rewriting the actual text to be better. It's currently in like second draft form, the first draft being "THIS HAPPENS HERE SO WRITE IT OUT" basically. I want to complete this before moving to the next stuff, which will get much, much larger in scope. I want to 'complete' it though so I can find the definite visual style of the game, because it's gone through SEVERAL revisions, and having to re-style 90 passages would suck.

Besides visually impactful/symbolic design using images, quite a few little CSS tricks are used. I'm proud of a few things I do with that already, which is rare for me!

A musician is attached to the project, Cyril the Wolf, and has been doing great work. The music is ambience really, not "songs," which loop properly and switches to versions that add or remove elements when impactful moments occur in the story, or functionally to represent what a sound effect would be. Also, some actual defined small bits of music, when dealing with some timed text, so looping music is not needed (as I can tell him, it's 60 seconds precisely that the player has no control and you have free reign music wise, syncing up with text/image), if it's an impactful enough scene. That hasn't been decided or implemented yet, I think some will be done for the current section I'm working on soon.
There won't be like, "sound effects," if you open a door or some shit, every time, I've been a foley artist weirdly, for just few moments in the game that feel appropriate.

This is not a 'visual novel', or close to being one. It is much closer to a game. If replayed, your experience will be much different and technically is needed to "fully" find the answer/all details regarding solving the mystery. It will be free, with a donate button, as a lot of time is going into this. Part of me has the pipe dream of, when finishing it, trying to see if we could get it on Steam, as a few people have done that now, if I get a polished, perfect product at the end. When looking at those games, this will be similar in scale and quality visually and music wise. Like, I will not stop making this until it is visually perfect for the vision I have.

Even when I try to talk about it briefly, I write a ton. This IS me writing about 3 weeks of development and explaining what it is, so it's gonna be a bit long, but damn that's a lot of text.

Now, about the game in depth. A lot of depth I guess.

No one is gonna read all this shit unless this game turns out really fuckin' well, and is like, a THING, and people go back and read the dev log. I'm not counting on that happening, but like, Christ, why did I write so much?

So, I played Firewatch. Life changing game. Learned what Twine was while watching some interviews with some peeps from Camp Santo. It stuck in my head a bit. Skip ahead. I'm a fan of Telltale's games, and I had bought the new TWD: Michonne miniseries. Didn't play it for like, a while, finally did, and 10 minutes or so in, I closed it and suddenly was frantically downloading Twine and learning how to use it. Luckily, it's very simple!

I made a story that night, not styled at all, using Harlowe. It's a game about wether or not you decide to make a Twine game or not, just a dumb little thing. Finished it that night, which I believe would be March 2nd.

Took me to the next day to start the next one. Second game, there are like, 9 different "Stories" for on my Twine home screen, as I kept trying it with different Story Formats.

I knew my basic opener: you wake up, in a house you don't recognize, with no idea how you got there, in extreme pain. Also, someone performed trepanning on you. Is that the way you use that word? I gotta figure that out.

That's all I knew. I didn't know why it happened, or where the story was gonna go. I figured I'd keep this project small as it was my second story. A Spotify playlist of the intro songs to "Tales of the Borderlands" was my inspiration. Also, I couldn't get the cult-based part of V/H/S/2 out of my head. I haven't seen it in years, but it was practically drilled into my head hahahaha get it out of nowhere. I came up with a basic, "It was some MKUltra or some cult shit" 5 days later, but had no idea what to do with that.

The more I learned about Twine, and the more I learned about the different Story Formats, I realized that I'd need to use SugarCube, so this is all using SugarCube 2. As a designer, I decided, this is not gonna be a quick foray into this; I'm gonna make this visually impressive. I have solid knowledge of HTML and CSS; the freelance work I've taken on for a while now hasn't had me messing with that much and I've gotten rusty. SugarCube is allowing me to flex those muscles a bit and learn a lot. Granted, a lot of knowledge that has to do with forcing something to happen when using Twine, and specifically SugarCube 2, where on a webpage something would be simple, and here different rules apply, but yeah. I knew I could get it visually beautiful. Still inspired by Firewatch, I wanted something similar to that, with the background, and some kind of music.

I discussed it with my friend Max, and he helped me figure out a basic rule/style of the game; each storyline can be investigated, and you can investigate either one, without consequence (Unless, yknow, you do something which prevents investigating something else). Also because of that conversation, there are a lot of endings. I'm not sure of the total count, but probably 15 or so interesting ones. But you also can decide, "Fuck this, fuck this mystery, fuck this investigation, I'm leaving it be," at nearly any point after finishing an initial area. You have as much freedom as possible. Also, there will not be "red herrings," but there will be ambiguous or confusing bits of evidence, which contradict what you might to find. He also helped me decide, for sure, there is one "true" ending.

So after that conversation, I mapped out the entire story and the different basic decisions/elements for any particular line, although 60% of those will probably have different branches past that. It looks like a lot for me to write; for the player, the game can last as long as maybe 6 minutes if they so choose, I'm not sure how long otherwise. Probably like 30 minutes. I don't know. Longer, if they decide to REALLY investigate the hell out of this mystery. There are definitively 6 absolute-longest endings. That might increase, might not, I'm not sure.

To really "find out the truth," entirely, a replay is required. I'm not sure if someone would replay it, I dunno. There are two "True endings," each with two endings from that, which one inevitably will have to pick, if they investigate everything possible, then theoretically, they could have four to pick from. The two true ones, though. That gives you one of the two "true" endings. There is one that is "more true" but here's an example of an end game ending.

You decide, "I think the culprit was CULPRIT1." You have to go to a certain location, which determines the ending you see: before going, you can choose to bring something or not.

If you do not bring it, the ending gives the player scrambled and confusing language, seen very quickly, which, while confirming the culprit, doesn't confirm what they did. There is info about what they did, but without knowing on a base level what its about, it's confusing. Details without any definition of what you're reading. Without confirmation of what the information is about, you kind of get a shadow of an idea, mainly, "this is some spooky shit that deals with ____" and it's a semi satisfying ending. You can definitely kind of glean an idea of the true thing but you don't fully know.

If you do decide to bring that something to that part of the game, you get some basic information, flat out, "this is who, this is what, this is why," but you don't know the specifics. You don't know any specifics which makes it still shady and unclear, to a point.

I hope some people will replay it, and be curious about that because if you do both, you now 100% know the culprit, what, why, when, how, and more about the basic mystery. The other 2 possible endings, if deciding it was CULPRIT2, don't explain as much, but have definitive, "And in the end, this happened." Hopefully satisfying.

The other two possible final endings? Very definitive clear ENDINGS, without finding out who the culprit was, but finding out what the fuck the player character is gonna go do next and what this entire story has resulted in, even if they didn't find out the truth behind everything.

Hopefully people replay it, though. I just got the idea to have the end screen include a "Go back to Chapter(or whatever) ______" option, empty out any variables that were set after that point, and allow you to get back to the other ending in that area, or choose the other culprit, in only a few minutes.

I also knew, before this I wanted items/choices to impact the game significantly. One decision, if not made, gives the player 3 more chances to make a similar choice. If they agree on the first chance, the game progresses as usual, if the agree on the second, special ending, if they agree on the third, special ending. If they refuse completely, the game flips over to a different line, which is relatively linear, and ends much quicker than if they were to say "yes" any of the four times they're offered that choice.

All language is gender neutral regarding the player, and their best friend/partner in investigation, aka $bff. That was one of the first things I put in after finding out it was a thing, the choice to name them, which I have done semi-elegantly. Oh, one thing, I've given the game to maybe 4-5 people to try out, and I've noticed interesting differences between the way men and women make their decisions in that area, actually. In the start, you can barrel out of the house, and run away, or, you can quietly check if anyone is there, and investigate. Women universally ran the fuck out, only one guy chose that option, the rest investigated.

I wrote so much shit. I went back and wrote a shorter little write up of what this is. Now I like had that flow of writing broken, so, I dunno what else to say. Oh, the music is fucking great and will really add to the experience, I'm really happy with that! Cyril the Wolf has made some awesome shit. And they're just like, 3 "sketches" for the first area. But they sound perfect.

I have a bunch of assets to go build now, so... I'm gonna go do that.

Aorta of Time

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Game File: 

A quiet, dark, tense action game where time flows in an unusual manner.

Use your arrow keys to move. Press Z or space to fire.

Made For: 
Pirate Kart 2

SUPER ELEVATOR SIMULATOR 2012

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You have to deliver as many passengers as you can in three minutes.
Be careful! Passengers don't like when:
- The elevator is full (3 pass. max) and they cannot get in.
- Nobody gets in/out after elevator stops at some floor.
- Elevator goes in direction opposite of their destination floor.
- Elevator skips their destination floor.
Every unhappy passenger will cost you 5 seconds penalty.

Controls:
Click on floors to assign elevator destination.

Music:
ThatComposerGuy - Mmm Mmm Muzak

Author: 
Terzalo
Made For: 
An event
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