THE TOPICAL GAME EVERYONE SHOULD PLAY

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To DPS2004,

Merry Spring!

I spent like two weeks working on the movement and the teleporting effects.
I had a hard time thinking about what the game would be.
I wanted it to be something really simple, elegant.
I ended up trying to see how complicated I could make something in a short amount of time.

I came up with most of the gameplay and assets in the past 24 hours.
I'll probably tinker with this a bit in the future.

Crossposted from http://reaganyears.tumblr.com/

The current visuals of Reagan Years are not satisfactory enough to be shared. I am not exactly sure what will be the visual feeling of the game. However I think I’ve made some progress as to identify the kind of soundscape I will use.

Here I would like to present the main directive principles I am using when designing the audio environment of Reagan Years. First of all let’s have a look at how it’s done in some other games.

Videogame tries hard to be the Total Art

From my experience, most videogame designers tend to flesh-out the user experience by establishing an atmospheric coherence between the visuals, the sounds, and the content they are trying to deliver.

An outstanding example of this is Beeswing where the imperfection of acoustic music and hand-drawn visuals really help the game to carry its message on the nature of memories : precious, volatile, fragile, powerful, intimate, etc.

Videogame is a medium that nourishes fantasies about finally achieving the ambition of total art, and it seems this constant research of atmospheric coherence between visuals, sounds and contents is part of this. I am sure it would be worth exploring the limits of this tradition, but given the other ambitions I have for Reagan Years and my doubts on whether I can achieve them, I think I will try not to walk too much on the path of formal experimentation here.

Cold War is a period that quickly bring atmospheric tropes to the mind. Let’s discuss some of them and see why I don’t want to use them in my game.

Looking for my Cold War Feel

The reality my game aims at depicting is bleak, because it is the reality of geopolitical decisions, coming with their load of cynicism, and contributing to the perpetuation of dynamics of brutal dominations both between countries, and within countries. And somewhat I also want the player to establish connections between the state of the world in the 80′s and the state of the world today.

Nostalgia for a golden age

I certainly do not want to give in James-Bond like nostalgic clichés of men wearing elegant suits, driving nice cars, women sitting at the typewriter, and everybody living the last authentic adventures against a clearly identified evil enemy, in a world threatened by cold modernity.

Well, anyway, Reagan Years takes place in the 80′s, so it would definitively be out of place.

The bleak, the gray, and the rusty

Then you have the exact opposite : dystopian universes made of out-dated machinery, rusty buttons, hollow sounds of cringing metal, black-and-white propaganda films, and tense music annoucing the imminent nuclear apocalypse. A depressed-looking, grey-wearing spy walks away from a crime scene.

Look at this (promising but abandoned) East VS West, it looks obscure as hell and even the names of the countries are typewrited on the map. How depressing.

https://www.youtube.com/watch?v=1elh4mxqvDo

If you follow this trend, you end up with the universe of Paper, please : a bleak gray soviet universe where it seems that color is now illegal. Even the voices of humans have a metallic quality, and the music is of course, a military march.

https://www.youtube.com/watch?time_continue=99&v=_QP5X6fcukM

In games like these, the world already looks regressive and devastated. It’s like you live in the universe of Fallout even without the bomb actually exploding.

Clinical neatness, deadly decisions

Then you have the approach of DEFCON, which favors neatness over decay. It gives you some distance from the horrors of the game you are playing. The interface has a high-tech clinical reality to it. It looks like you are sitting in a heavily equipped (and protected) futuristic secret bunker, where you take decisions causing millions of death (these figures appear as minor info in the game’s UI). This is a nice approach to represent the disconnection of the political power from the consequences of its own actions on the populations of the world. I guess it’s influenced by movies such as Wargames.

In DEFCON, sounds are clinical, muffled, informative. The music is minimalist and menacing.

https://www.youtube.com/watch?v=mCpVpIBqaJg

The music is minimalist and menacing.

Another example of this is Neocolonialism (obvisously influenced by Defcon and making use of the same kind of aesthetics, this time not to depict nuclear war, but economical warfare). Neocolonialism does not only make use of robotic sounds, you can also hear more fleshed-out string melodies, but the dissonances they play with heavily contribute to the depiction of a world where “something is wrong”.

https://www.youtube.com/watch?v=4tjShfAt3rI

My choices for Reagan Years are influenced, yet different, from those described above. But this is something I need to describe in another article.

Game File: 

flickgame.html

not sure if describable

Game File: 

leather.html

Actually made several days later for the Big Trashy Twine Jam, but it can live here too.

...well, more a proof of concept.

But seriously, I present the first version of Krawl! At this stage, it's just a random maze generator. It takes a little while, but it's kinda mesmerising. Linear searching of a matrix has never been so much fun!

This took me some hours. Though I've gotta say, it is one of my proudest achievements in Klik & Play to date.

Next step is making it look like a mad proppa dunjin with rooms and naturalism and all that bebop, but I'm a little spent.

Edit: For those interested, the algorithm is a slightly modified version of part I of this page . That page, in turn, came from the pretty interesting (for the mechanics-minded of you) 300 mechanics page.

the title sums it all up.

Game File: 

finderscycle01.zip

New version 1.01 uploaded August 1st 2018 - you can no longer get lost in a boring maze - apologies if you're the sort of person who enjoys getting lost in a boring maze.

I release this one with more than usual trepidation. It has ‘what was I thinking’ written all over it. Still, this is Glorious Trainwrecks – praise be!

It’ll probably take half an hour to an hour to play. Please let me know if you find any bugs.

It’s intended as the first in a cycle of games based around the same group of characters, each game coming at the story from a different angle. Not quite an episodic game but something that means I can create a fairly involved story without getting bogged down in trying to create one large game.

This particular game is inspired by playing rather a lot of HOPAs. That’s ‘Hidden Object Puzzle Adventure’ for the uninitiated – a kind of modern hidden object game that blends in elements from point and click adventures and puzzle games. It’s a casual genre that’s too often overlooked or derided. Anyway, amongst other things, this game is a rather skewed take on the HOPA genre – lacking the usual artistic talent, straightforward narrative or commercial acumen.

Controls:
Move with WASD
Continue dialogue with SPACE
On object hunting screens click with LMB
On object hunting screens H key for hint if you’re stuck
On object hunting screens SPACE key to continue when all objects found
On puzzle screen drag and drop with LMB
On puzzle screen double click with LMB to rotate
On puzzle screen R key to restart – I think I’ve fixed the bugs but just in case

Game File: 

Yie-Ar 3 1.025.zip

BALLS TO THE WALLS

FEATURING:
-Twenty-one action filled battles!
-A thunderous midi soundtrack!
-A honest to god SHITTY brainfart impro dialogue because I only assed to write a small part of it.
-You making disgruntled facial expressions at the aforementioned dialogue!
-Fun times!
-Hope that it becomes funnier over time like all of my joke shit.

After nearly six months of on-and-ridiculously-off development,
I've finally finished something I didn't think I would.

It was all supposed to go down with that last joke game,
but it turns out that I still needed to be taught a lesson.
Get out there and finish the fight!! THIS IS THE LAST TIME!!!!

This was supposed to push the limits of KNP to the maximum with absolutely ludicrous
battle mechanics, unlike Kung Fu 2, which was pretty much about dodging flying shit
and mashing the attack button. I tried to go there, but neither of us couldn't handle it.
Instead what I have now is practically the same with more shit.
And the fucking thing still rules.

What are you waiting for?!

Overall, I learned some:
Patience
Mental Shenanigans
Drawing Consistency, so it's not really all a waste no matter what.

Game File: 

To100pt1.zip

SO TO FILL SPACE FOR MY 100th GAME, I'M MAKING A MINISERIES